The Sound Inside
By Adam Rapp
Directed by Jasson Minadakis
ABOUT
A brilliant Ivy League writing professor. A talented yet mysterious student. An unthinkable favor. Everyone has a story—the question is how it ends. Penned by Pulitzer Prize finalist Adam Rapp (Red Light Winter), The Sound Inside takes you behind the ivy-covered walls of Yale, and into New York’s literary haven, Greenwich Village, in this riveting new American play.
The Sound Inside includes references to suicide. If you or someone you know needs help dealing with suicidal thoughts, please call the National Suicide Prevention Lifeline: 1-800-273-TALK. The call is free and confidential, and crisis workers are there 24/7 to assist you. People who are hard of hearing can use their preferred relay service or dial 711 then 800-273-8255.
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Jasson Minadakis
Co-Director, Co-Scenic Designer
Chris Houston
Composer
Mike Post
Lighting & Projection Designer
Daria Perkova
Asst. Costume Designer / Wardrobe Lead
Denmo Ibrahim*
Bella / Noura/Nora
Tyler Miclean*
Christopher
Adam Rapp
Playwright
Edward Haynes
Scenic Designer
Brigid Ridge
Rehearsal Stage Manager
Kevin Johnson
Production Stage Manager
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“Brilliantly written, brilliantly directed, and brilliantly performed, “The Sound Inside” is a paean to human connectedness—a stunning, lovely piece of magical realism. Marin Theatre Company could not have chosen a more poignant tale to close its 2021-22 season.”
“compelling and unpredictable from beginning to end...provocative…taut and memorable”
“'The Sound Inside,' masterfully directed by Jasson Minadakis and with two outstanding performances, meets the highest theatrical standards.”
“I rose to my feet at the end of 'The Sound Inside.' You might do the same.”
“Jasson Minadakis directs the production with a gentle hand. Scenic designer Edward E. Haynes, Jr.’s sparce settings allow for the flexibility and shifts of memory, making the most of lighting and projection designer Mike Post’s projections which make effective use of the written words of key phrases…
Mr. Post’s lighting is shadowy, as memories tend to be, and very effective.
Fumiko Bielefeldt’s costumes are perfect, and the compositions of Implied Music/Chris Houston set the proper tone without being intrusive.”
“Artistic director Jasson Minadakis gives the play a resonant staging, gently underscored by Chris Houston’s quiet piano music. Edward Haynes’ scenic design is effectively spare, with just a smattering of furniture against a black background intimately lit by Mike Post.”