Eight years after fleeing their home in Iraq, Noura and her family celebrate Christmas, and their new life, in New York City. But when the arrival of a visitor stirs up long-buried memories, Noura and her husband are forced to confront the cost of their choices; the past they left behind. Inspired by stories from Arab-American women and created in response to Ibsen’s A Doll’s House, Heather Raffo’s Noura charts the intricate pathways of motherhood and marriage—and the fragile architecture of what we call home. 

Produced In Association with Golden Thread Productions.

“I am most excited to be in conversations with Marin audiences about their views of belonging, individual identity and the architecture of what they call home. As the characters of Noura attempt to balance their individual pursuits with a search for community, I believe it is quite possibly a balance with which many of us struggle.” — Heather Raffo

Special effects advisories: TBD

MTC provides advisories for each production regarding special effects that may affect patron health and physical sensitivities as necessary. MTC does not provide advisories relating to content, because content sensitivities vary from patron to patron. If you have questions about content, please contact the box office prior to purchasing your tickets as we do not offer refunds to patrons who choose not to see a show based on subject matter. 

Generous season and program support for Noura provided by The Shubert Foundation, William & Flora Hewlett Foundation, and Relevant Wealth Advisors.

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Performance Schedule

Press Opening Night  Tuesday, Jan 14, 7:30pm.  
Opening nights are not available for sale online. 
Seating is extremely limited.  

Questions? Please contact the Box Office directly: 
(415) 388-5208 | boxoffice@marintheatre.org 

Evenings
Tue - Sat 7:30pm   
Sunday Jan 19, 7:30pm

Matinees 
Sunday (Preview) Jan 12, 4pm     
Thursday (Perspectives) Jan 30, 1pm
Saturdays, Jan 18 & 25, Feb 1, 2pm
Sundays Jan 19 & 26, Feb 2, 2pm


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Ticket Prices

Performance Center
seating
Side
seating
Performance Center seating Side seating
Previews $39 $39
Sat Eve & Weekend Matinees $60 $55
Tue*, Wed, Thu, Fri & Sun Eve $52 $47
Perspectives Matinee $52 $47
Best Deal (see info below) $25 $25

PRICES SUBJECT TO CHANGE. 

Phone & online orders subject to a $6 fee per order.

Tickets are subject to resale starting 5 minutes before curtain. Late seating is based on available seats.

Disabled seating is currently only available through the MTC Box Office (415.388.5208 or in person). We apologize for any inconvenience.

Discounts

  • BEST DEAL: $25 tickets in select seats available for all performances beginning one week before opening night. Available online. Questions? Call the box office at 415-388-5208
  • GROUPS: Bring eight or more people to receive a $7 discount on tickets. The group discount is automatically applied online. Questions? Call the box office at 415-388-5208.
  • SENIORS (65+): $4 off single tickets to all performances, available online.
  • UNDER 35: $25, all performances, available online.
  • TEENS: $10 tickets, all performances, available online.
  • EDUCATOR: $12 tickets, all performances (limit 2). Must teach at a Marin County School. Call the box office to reserve at (415) 388-5208.
  • MILITARY: $6 off all performances. Thank you for your service! Please call the box office to reserve at (415) 388-5208.

Promo Codes distributed for online redemption subject to availability. Only ONE (1) Promo Code will be valid per order.       Promo Codes do not apply to Best Deal ($25) tickets.  Promo Codes do not apply to already discounted tickets (including Senior, Under 35, Teen, and Best Deal).


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Select a Performance

To begin your ticket purchase, select a performance from the calendar below:

MTC Engaged Special Events

WINDOW ON THE WORK

WINDOW ON THE WORK

Thurs., Dec 19 | 7:00 PM

Window on the Work series focuses on our production; design, casting and rehearsal process. Mill Valley Public Library, 375 Throckmorton Avenue, Mill Valley.

AFTER WORDS

AFTER WORDS

Post-Show

Post-show question and answer sessions, led by a member of our artistic staff, immediately following most performances (except on Opening and Closing Nights and Saturdays).

Wednesday Influencers Networking Event

Wednesday Influencers Networking Event

Wed, Jan 15 | 6:45pm

#beaninfluencer and join us pre-show for a glass (or two) of W.I.N.E. + snax at our Wednesday Influencers Networking Event for Noura! See the best new theatre in the Bay without breaking the bank, and mingle with other top-fan theatre-goers. Get access to the pre-show reception + your ticket to the show for only $10 using promo code: INFLUENCER

PLUS: if you post about your experience after the show and tag MTC, we’ll give you a complimentary ticket voucher to come back and see the show again, or to bring a friend with you to the next show!

#winewednesdays #theatreinfluencers #goseeaplay

WEDNESDAY PRE-SHOW TALK

WEDNESDAY PRE-SHOW TALK

Every Wednesday | 7:10 PM

Join us in the theatre—with a beverage!—for a pre-show talk with a member of our artistic staff prior to every Wednesday evening performance.

PERSPECTIVES MATINEE

PERSPECTIVES MATINEE

Thurs., Jan 30 | 12:00 PM

Topical lecture one hour prior to the 1:00 PM open-captioned performance.

Cast

  • Mattico David*

    Mattico David*

    Tareq/Tim

    Mattico David is from Flint, MI and thrilled to be making his MTC debut. Past stage work includes Noura at Playwrights Horizons (Off Broadway) and Shakespeare Theatre Company; A Streetcar Named DesireBoeing, BoeingA Stone CarverEscanaba In Da’ MoonlightBest of FriendsApartment 3A, Corktown, Bleeding Red, Consider the Oyster, Growing Pretty, White Buffalo at the Purple Rose Theatre Company; American BuffaloDisgraced at the Jewish Ensemble Theatre; and Danny and the Deep Blue Sea at Flint City Theatre. He earned his BFA in Theater from the University of Michigan.

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  • ​Valentino Bertolucci Herrera

    ​Valentino Bertolucci Herrera

    Yazen/Alex

    Valentino Bertolucci Herrera was born in Buenos Aires, Argentina. He is 11 years old and attends Mill Valley Middle School. Recently, he performed in the Marin Theatre Company productions of Willy Wonka and Freaky Friday. Valentino plays the baritone for his middle school band and  the piano for his school’s jazz band. Valentino is a member of an advanced Tae Kwon Do demonstration team that has performed in the 2018 and 2019 San Francisco Chinese New Year Parades. In addition to being a performer, Valentino enjoys playing soccer, skateboarding, learning how to cook with his grandmothers, and going to concerts and movies.

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  • Denmo Ibrahim*

    Denmo Ibrahim*

    Noura/Nora

    Denmo Ibrahim was recently at MTC in The Who & the What. An actor, playwright, and poet, she was recently seen on stage as Mariam in A Thousand Splendid Suns at Seattle Repertory. Some U.S. credits include A.C.T., The Old Globe, New York Theatre Workshop, California Shakespeare Theater, Aurora Theatre, Crowded Fire, and Yerba Buena Center for the Arts. She has collaborated with playwrights Mac Wellman, Eric Ehn, Yusef El Guindi, Kristoffer Diaz, Thomas Bradshaw, Melinda Lopez, Dustin Chinn, and Tanya Saracho and originated roles with composers Claudio Bohorquez, Rinde Eckhert, and Carla Kihlstedt. Her devised work has toured to international festivals in Egypt, France and Germany. She is the recipient of a Theatre Bay Area Award and a San Francisco Bay Area Theatre Critics Circle Award. Ibrahim has an M.F.A. in Lecoq-Based Actor-Created Physical Theatre from Naropa University and a B.F.A. in Acting from Boston University. She is a founding artistic director of Mugwumpin and a resident artist of Golden Thread Productions. 

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  • Abraham Makany

    Abraham Makany

    Abraham Makany is excited to be making his MTC debut. Regional Theatre: The Corpse Washer in the 43rd Humana Festival (Actors Theatre of Louisville). Off-Broadway: Bars and Measures (Urban Stages); Trial of an American President (Theatre Row); Waterwell’s Hamlet (The Sheen Center); Kandahar to Canada in The 34th Marathon of One-Act Plays (Ensemble Studio Theatre); Job (The Flea Theater); the Obie Award winning production of The Brig (The Living Theatre). Television: Orange is the New BlackGothamBlue BloodsThe BlacklistHomelandBlindspotThe AmericansDeceptionPerson of InterestHAPPYishThe Ridge: OriginsWyatt Cenac’s Problem AreasFilm: Rainbow RuthieBrooklyn ParkSaint NicholasEl GalloAdditional Credits: readings and workshops include work with The Atlantic Theater Co., The Public Theater, Manhattan Theatre Club, Oregon Shakespeare Festival, Classic Stage Company, The Lark, among others. Education: Rutgers University's Professional Actor Training Program. Upcoming: The Lehman Trilogy on Broadway (Nederlander Theatre). 

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  • Maya Nazzal

    Maya Nazzal

    Maryam

    Maya Nazzal is a San Francisco-based actor. She is first generation Palestinian-American and is a native Arabic speaker. She received her BA in Theatre Arts from San Francisco State University and recently trained at the Stella Adler Studio of Acting in New York. Her most recent credit is a Fairytale Player in Leila’s Quest for Flight at Golden Thread ProductionsHer SFSU stage credits include Top Girls, The Laramie Project, The Baltimore Waltz, Five Women Wearing the Same Dress, and Forever Chasing Smarts. Maya will be making her Marin Theatre Company debut with Noura. She is excited to take part in a production that represents stories of Arab-American women and is incredibly grateful for this opportunity.

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Creative Team

  • Heather Raffo

    Heather Raffo

    Playwright

    Heather Raffo is an award-winning playwright and actress who’s work has been seen off Broadway, off West End in regional theater and in film.  She is the author and solo performer of the play 9 PARTS OF DESIRE (Lucielle Lortel award, Susan Smith Blackburn commendation, Drama League, OCC, Helen Hayes nominations), which The New Yorker called “an example of how art can remake the world”.  

    9 Parts of Desire was inspired by Raffo’s trip to the modern art museum in Baghdad in August 1993 and tells the story of nine Iraqi women that span the decade between the first and second Gulf Wars and occupation.   The play was first produced at the Traverse Theatre, Edinburgh in 2003. It later moved to the Bush Theatre in London’s Off-West End where critics hailed it as one of the five best plays in London. It’s off-Broadway premiere was at the Manhattan Ensemble Theatre, where the show ran for nine sold out months and was a critic’s pick (of the New York Times, Time Out and Village Voice) for over twenty -four weeks in a row.  Since 2005, 9 Parts of Desire has been produced all across the U.S. and was one of the top five most produced plays of the 2007-2008 American theater season.  It has had international productions in Brazil, Greece, Sweden, Malta, Hungary, Egypt, Turkey, India, Iraq, Scotland, England and Canada. 

    Most recently, Raffo’s libretto for the opera FALLUJAH, was heard as part of Kennedy Center’s International Theater Festival, it then received its world premiere at Long Beach Opera in March of 2016 and opened at New York City Opera later that year. The opera details the life of a US Marine who served in Fallujah in 2004 and relates the haunting experience of war for veterans and their families as well as Iraqis.  A film was made of both the opera as well as a documentary titled Fallujah: Art, Healing and PTSD. 

    Heather’s newest play, NOURA, just won Williamstown’s prestigious Weissberger Award.   NOURA, came out of three years of workshops with Arab American women living in New York City where Heather explored the themes of identity and belonging through her personal narrative initiative titled Places of Pilgrimage.  In response to the participants many harrowing stories of leaving home, Heather shared with them Ibsen's A Doll's House.  Provoked by the play’s iconic character, Raffo’s workshop provided a rare opportunity for these women to instead discuss contemporary challenges facing modern woman who must bridge family and culture, America and the Middle East.  NOURA was then developed at Georgetown University’s LAB for Global Performance and Politics with refugee and Middle East policy experts.  Further workshops were supported by The McCarter Theater, Epic Theater Ensemble and our nation’s first Arab American Museum in Dearborn, MI.  NOURA will receive it’s world premiere at the Shakespeare Theater in D.C. in February 2018 before it travels to the Middle East for production in Abu Dhabi. NOURA was presented at Playwrights Horizons in December 2018. 

    Raffo is the recipient of multiple grants from the Doris Duke Charitable Foundation to use theater as a means of bridge building between her Eastern and Western cultures. She continues to grow her storytelling workshop, Places of Pilgrimage, taking it to universities and community centers both in America and the Middle East.   Clips of participants work from her New York workshop have been supported online, through the organizations Bridges of Understanding and Refugees Deeply, as a means to connect the stories of young Middle Eastern women with their peers globally.   Raffo continues her focus on cross-cultural work by speaking at universities across America and internationally. Her work has taken her from classrooms in Tampa to the U.S. Islamic World Forum in Qatar, and from the Mercantile Library in Cincinnati to the Rumi Festival in Oslo.   She is a proud member of Epic Theatre Ensemble’s Artistic Advisory Council and to her decade long collaboration with Georgetown’s LAB for Global Performance and Politics.

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  • Kate Bergstrom

    Kate Bergstrom

    Director

    Kate Bergstrom is a bicoastal director whose work has been seen at Trinity Rep, Ars Nova, REDCAT, New Dramatists, JACK, UCLAlive!, Highways Performance Space, Rattlestick Theatre, Theatre at Monmouth, Know Theatre of Cincinnati, LACMA, LATC+ We the Women, Music Academy of the West, Opera San Diego and more. She's developed new work in theaters from Curious Theatre Company (Denver) to Ojai Playwrights Conference. Central Coast BroadwayWorld.com’s 2016 Person to Watch + 2017 Best Director. Upcoming: The Absentee at Bloomington Playwrights Project. On The Verge Founding Artistic Director (www.onthevergefest.org) MFA Brown/Trinity 2018. Critic @ RISD + NYU www.katebergstrom.com

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  • Liz Matos

    Stage Manager

    Liz Matos is delighted to return to Marin Theatre Company, where last season she staged managed August Wilson’s How I Learned What I Learned, and The Who and The What. Locally, Liz has also worked with Magic Theatre, Marin Shakespeare Company, The Cutting Ball Theater, A.C.T. Conservatory, and PlayGround. She is a graduate of Dartmouth College and is a proud member of Actors' Equity Association.

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  • Adam Rigg

    Scenic Designer

  • Kate Boyd

    Kate Boyd

    Lighting Designer

    Kate Boyd is a Bay Area scenic and lighting designer. She recently designed the scenery for NCTC’s This Side of Crazy, Aurora Theater’s Exit Strategy and We Swim We Talk We Go to War for Golden Thread where she a resident artist. She has also worked with Magic Theatre, Merola Opera, the SF Conservatory of Music, Company C Ballet, Theaterworks and was a recipient of the Gerbode Design Fellowship. Kate teaches stagecraft and design Lick-Wilmerding High School.

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  • Anna Oliver

    Costume Designer

    Local work: Marin Theater company: Syncopation, The Puppet Master of Lodz, The Price; The Who and the What
    California Shakespeare Theatre: THE WAR of the ROSES, PYGMALION, THE TEMPEST, Candida, Twelfth Night, MAN AND SUPERMAN, RESTORATION COMEDY, THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY, PARTS One and Two, The Skin of Our Teeth, The Taming of the Shrew; Berkeley Repertory Theatre: RED, THE LIEUTENANT OF INISHMORE, HEARTBREAK HOUSE, THE PILLOW MAN, Fraulein Elsa, THE MAGIC FIRE; American Conservatory Theatre: THE CONSTANT WIFE, THE HOUSE OF MIRTH, The Guardsman; Theatre Works: Water by the Spoonful, TIME STANDS STILL; Aurora: founding production of Dear Master well as many others. Mrs. Oliver’s work has also been seen at the Seattle Repertory Theatre, Old Globe (San Diego), La Jolla Theatre, McCarter Theatre, Long Wharf Theatre, Shakespeare Theatre (D.C.), San Francisco Opera, Houston Grand Opera, Canadian Opera Company, City Opera (NYC), and the Welsh National Opera. Ms. Oliver received her BFA from the California College of Art and her MFA from the Yale School of Drama.

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  • Nihan Yesil

    Nihan Yesil

    Sound Designer

    Nihan Yesil started studying music at an early age. After her M.M. in Composition (UMKC Conservatory of Music and Dance), she received her M.F.A. in Sound Design (UMKC Theatre). Her music has been performed in a number of venues, festivals, and artist residencies across the U.S. and Europe. Some of her designs for theatre include Ladies (Boston Court Pasadena), Skin Of Our Teeth (Metropolitan Ensemble Theatre) Lasso of Truth (Unicorn Theatre), Caucasian Chalk Circle (UMKC Theatre/KCRep), and Seven Guitars (UMKC Theatre). As a multimedia artist, Nihan received Charlotte Street Foundation’s 1-year Urban Spaces artist residency and her projection art was awarded “Favorite Visual Artist” at the program’s biannual open studios exhibition. Nihan is also the co-founder of SoundTheatre, a collaborative group that is currently launching its second home in Los Angeles.

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  • Nakissa Etemad

    Dramaturg

  • Torange Yeghiazarian

    Torange Yeghiazarian

    Cultural Consultant

    Torange Yeghiazarian is the Founding Artistic Director of Golden Thread Productions, the first American theatre company focused on the Middle East where she launched such visionary programs as ReOrient Festival of Short Plays, New Threads staged reading series, Fairytale Players school and library tour, and What do the Women Say? annual celebration of International Women’s Day; and timely initiatives such as Islam 101 to develop original plays celebrating Islamic art and philosophy, and Project Alo? an international artistic video exchange using mobile phones. A playwright, director, and translator, Torange’s plays include ISFAHAN BLUES, THE FIFTH STRING, THANKSGIVING AT KHODABAKHSHIAN’S, 444 DAYS, WAVES, and CALL ME MEHDI published in “Salaam. Peace: An Anthology of Middle Eastern-American Drama,” TCG, 2009. Her translation of A MOMENT OF SILENCE by Mohammad Yaghoubi received a Best Play Award (Toronto Fringe Festival, 2016) and her stage adaptation of Nizami’s LAYLA AND MAJNUN is available on Gleeditions.com. Other writings include a case study chapter to “Casting a Movement”, Routledge, 2019, and articles in The Drama Review, American Theatre Magazine, AmerAsia Journal, the Encyclopedia of Women & Islamic Cultures, and the Cambridge World Encyclopedia of Stage Actors. Torange has been recognized by Theatre Bay Area and is one of Theatre Communication Group’s Legacy Leaders of Color. She was honored by the Cairo International Theatre Festival and the Symposium on Equity in the Entertainment Industry at Stanford University. Born in Iran and of Armenian heritage, Torange holds a Master’s degree in Theatre Arts from San Francisco State University.

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  • Lynne Soffer

    Dialect Coach

  • Ahmed Ashour

    Assistant Director

  • Brigid Ridge

    PA/ASM

  • Goñi Montes

    Goñi Montes

    Graphic Illustrator (promotional artwork)

    Goñi was born in Ponce, Puerto Rico, got a BA from the UPR at Mayagüez, and an MFA from SCAD Atlanta. I began working as a scientific illustrator for the Puerto Rico Sea Grant. Now I mostly do editorial illustrations & comics with some fantasy here and there.

    Adobe // Adweek // American Way // Architectural Review // Arena Stage // BOOM! Studios // Canadian Business Magazine // Chicago Tribune // Draft FCB // Dwell // Entertainment Weekly // ESPN // Euroman // Field & Stream // Golf Magazine // Guideposts // Guitar World // Intel // Label Mag // Ladies’ Home Journal // Leo Burnett // Lighthouse Catholic Media // Macmillan // McDonald’s // The New Republic // The New York Times // The New Yorker // Oz Magazine // Pearson Education // Playboy // Puerto Rico Sea Grant // Rolling Stone // San Francisco Magazine // San Francisco Chronicle // Simon & Schuster // Scientific American // Skiing Magazine // Society of Illustrators LA // Spin Master // Tor.com // The Village Voice // The Wall Street Journal // The Washington Post // Wired // Wizards of the Coast // The Work Style Magazine // Young & Rubicam

    http://www.goniart.com

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  • Trevor Scott Floyd

    Trevor Scott Floyd

    Artistic Producer

    Trevor Scott Floyd (he/him/his) started as an Artistic Direction intern with MTC in 2015 and, prior to his current role as Artistic Producer, spent two seasons as Director of Ticketing, Artistic Associate, and Company Manager. As Artistic Producer, Trevor serves as MTC's local Casting Director. Originally from the beaches of South Carolina, he graduated with a dual major in Theatre and Political Science from Clemson University before trading in the Palmetto trees for the Redwoods. In addition to his role at MTC he is a freelance director and writer. You can read his latest work on the New Play Exchange.

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* Denotes member of Actors Equity Association
+ Member, United Scenic Artists
^ Member, Society of Stage Directors and Choreographers

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Select a Performance

To begin your ticket purchase, select a performance from the calendar below: